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On August 3rd 2019, in El Paso, Texas, Patrick Crusius traveled a thousand kilometers then, armed with an AK 47 gun, shot dead 20 people in a mall, including children. The young man is 21, he was described as rather lonely and he was mocked in high school. He left a few-pages-long very methodical manifesto, explaining he was acting against the Great Replacement perpetrated by Mexicans. Patrick Crusius is not a lonely wolf. Brenton Tarrant, the Christchurch killer, was not a lonely wolf. The jihadist killers without concrete links with Daech are not lonely wolves. On the contrary, they perfectly are politically socialized killers, but this is a phantom sociability, or at least that is how it is understood by societies where the technological revolution is still unfolding, where the criteria for identifying « real » and « virtual » sociability are outdated, giving the former the essence of « absolute reality » but a feeble and illusive nature to the latter. Patrick Crusius is in the same political organization as Brenton Tarrant. The first line of his manifesto is a tribute to his brother and comrade, whose vision of the world and political fighting methods he shares : the mass murder considered a merciless war. The words we use to qualify the facts don’t matter much: hundreds of people are killed each year by soldiers of an ideological army. It’s just that this army has no need for generals or t mission orders for actions to happen on the ground. In Europe, in the USA, in…

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I saw, in my Facebook contacts, several dithyrambic posts about “DAU”, a gigantic project of film and art installation, halfway between reality TV, immersive theatre and totalitarian experience. DAU is the project of a director named Khrzhanovsky, who seems to have unlimited power and means at his disposal. He created a set of filming in Ukraine, reproducing a city, full of hidden cameras, and in which, 400 people lived for three years more or less in immersion and in an imitation of a totalitarian system. Immersive Dictatorship for customers spectators… The cinematic images produced will be broadcasted in Paris, as part of a kind of immersive show, at the “Théâtre de la Ville” in Châtelet. To view them, one has to fill out a Visa application that asks highly personal questions (by allowing the use of our personal data without any restrictions to DAU), to pay an expensive price, and to commit to staying between 6 to 24 hours inside the facility. Initially, I was obviously intrigued by this project that seems to be out of the ordinary, but several things in the (very positive) articles, shared by my contacts, quickly made me feel uncomfortable. In several of these articles, it was mentioned in passing, as if it was only a detail, of unpaid work, authoritarianism of the director, crises of madness or violence, unsimulated and filmed… This alarmed me and added to the mistrust I already had about the idea of privileged people in France paying to give themselves…

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The Yellow Vest movement (Gilets Jaunes in French) is practically an anti-barrier to fascism. The exact opposite of what took place in the second round of the presidential elections when Macron was elected to prevent the fascist politician Marine le Pen from becoming president. The slogan « Macron Démission » – Macron Resign ! Allows this movement to unite the ones with no political horizon on one hand and those having the desire to rerun the second round of the presidential elections or to abolish the republic on the other hand. In this fashion this movement is a fascist movement, because it has the power to convince people to turn towards fascism. The anti-barrier to fascism is also what is expressed by the part of the left in France tempted to join the Yellow Vest movement. This left abhors facing the fascism inside the Yellow Vest movement it seeks to support and therefore develops an argumentative arsenal aimed at bypassing, breaking, forgetting the anti-fascist barrier France endured throughout the elections. « They are not all like that, criticizing them is class contempt, we must walk on one ground with the extreme right to prevent the extreme right from gaining ground; I have a friend from an anti-racist movement that was there so it proves the movement is not entirely racist; The fascist acts or slogans do not embody the movement; fascists are everywhere so we can’t do anything, it is a normal thing to also have fascists inside a social movement » etc. The left…

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It is significant that, all of a sudden, one remembers there that Arab springs happened in 2011. But using this recollection to legitimize the French Yellow Vest movement, is showing a misunderstanding of these two movements, which remain very different despite formal similarities. These comparisons are not made for the glory of the Arab Spring, but rather to reinforce another comparison, the one with the French Revolution. Well, but the French Revolution it is far, so one will use the Arab Spring for making the connection. What is interesting however, is that by highlighting everything that opposes the Yellow Vests and the Arab Springs, one can highlight how the Yellow Vests is remote from a revolution.

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Drei Ereignisse mit auffälligen Ähnlichkeiten, aus der Perspektive einer Berlinerin: Eine Pro-Assad-Demonstration, die „Montagsmahnwachen“ und eine Kundgebung der Partei die Linke.

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